painting the evidence of love

Classical oil portraiture.

A Study of Character

A familiar tilt of the head

The look that says they’d like some of whatever you’re eating.

The way they glance back to check you’re still there.

Those are the things I look for

Portrait of a golden retriever with a slightly open mouth, tongue out, and expressive eyes, painted in a realistic style.

THE COMMISSION PROCESS

“IT HASN’T JUST DELIGHTED HER; IT HAS MOVED HER DEEPLY. SHE SPENT TWO HOURS IN TEARS OF JOY—IT IS A TRUE MASTERPIECE. THE WAIT AND THE INVESTMENT WERE MORE THAN WORTH IT. THANK YOU FOR THE PROCESS, THE UPDATES, AND THE PASSION YOU PUT INTO YOUR WORK. THE RESULT IS SIMPLY STUNNING.”
— Private Collection, Mallorca.

FROM THE STUDIO

I paint in oils, in the classical tradition, from life and from photographs. A decade studying anatomy and portraiture taught me that a likeness comes from expression more than proportion, so that’s what I look for: the quiet gestures that make your dog unmistakably themselves.

I work from a studio in rural Mallorca, which I share with my two dogs. They supervise.